It is an absolute joy to me to have a guest post today from Jennifer Kirkeby. Jennifer is a fellow member of the 12 x 12 picture book challenge, and the Children’s Book Hub Facebook Group, and I am so grateful that because of these groups I have come to know Jennifer, at least a bit. She’s a multi-faceted person, an actress, playwright, dancer, choreographer, director… the list goes on.
Most recently, she brought the wonderful picture book Llama, Llama, Red Pajama by Anna Dewdney to the stage. It had a successful run at Stages Theatre Company in Hopkins, Minnesota, and has been on the road, as well. In their four-week run they played to about 22,000 people!
Yesterday, you had a sneak preview of the production through photographs. Today you get to read the story of how the book went from page to stage, straight from the llama’s mouth. Click for more…
Adapting LLAMA LLAMA RED PAJAMA for the Stage
by Jennifer Kirkeby
First of all, thank you Beth for inviting me to be a part of “Behind the Scenes” month!
I’ve always thought that in order to discover our true passion, we need only look back and see what we loved to do as a child. I’m not talking about digging up worms, giving your dog a Mohawk, or putting soap on your little brother’s toothbrush, but rather, what did you LOVE to do?
I loved dance, music and theater. I was adapting stories into plays, performing and directing them on our front porch when I was five years old. My poor younger brother Tom was always cast as Toto to my Dorothy, a step brother to my Cinderella, or a dying pirate whom I would wave to as I flew over him as Peter Pan. Maybe that’s why he doesn’t return my emails …
Flash forward. As an adult, I’m still doing the same things. My brother is probably glad I moved across the country so there is no chance of him being dragged onto the stage at this point.
My most recent endeavor was adapting and performing in Anna Dewdney’s LLAMA LLAMA RED PAJAMA for Stages Theatre Company in Hopkins , MN .
The first step in adapting a play, or in this case, a musical, is getting the rights to do so through the Permissions Manager of the book’s publisher. That can take several months to a year. Next, we have an initial meeting which occurs almost a year prior to the show’s debut. At that time, Sandy Boren-Barrett, the Artistic Director, Bruce Rowan, Director of New Play Development, Shirley Mier, Composer, and I (Playwright, Lyricist), discuss dates, general concept, how large the cast will be, how many adults will be in the cast, overall feel of the show, costumes, etc.
Sandy had the idea to have six Baby Llamas and six Mama Llamas in the show. Each family would have their own bedtime rituals and distinct interests. Stages Theatre Company holds about 740 people, and we knew much of the audience would be very young children. We wanted them to be well represented onstage so they could be sure to relate to one or more of the characters.
Next, I outlined the story from Anna’s book. The easy part of doing an adaptation is that I already know the beginning, middle and end of the story. Once those anchors are in place, I unleash my imagination and think about what those Baby Llamas are thinking while they are waiting for their Mamas.
Composer Shirley Mier and I have adapted six musicals together, so we are able to do much of our work online. The songs we decided to write were the opening number: I DON’T WANT TO GO TO BED, the bedtime song: LLAMA LULLABY, ALL ALONE (when the baby llamas are sad their mamas are gone), THE HUMMING SONG (Did you know llamas really do hum to communicate?), WHAT IS MAMA LLAMA DOING?, STOMP AND POUT, JUMP AND SHOUT, and the finale, LLAMA LULLABY.
So during this time of waiting, the Baby Llamas imagine what their Mamas are doing.
One of the Mamas loves to clean, and to be efficient, she uses a scooter to travel. In the imagination scene, her daughter sees her Mama having joined the Cirque de Llama as a clown. Another Baby Llama imagines that her pregnant Mama who loves watching “Are You Smarter Than A Llama?” gets on the show and shares how she will soon be having ten more baby llamas.
Eventually the Baby Llamas “start boo hoo-ing”. And then the cast sang and danced to the fantastic rock and roll number: STOMP AND POUT, JUMP AND SHOUT.
This was a crowd favorite. Afterward, the Mamas run up to their Baby Llamas’ rooms, calm them down and say goodnight for the final time.
I also played one of the Mama Llamas. This was ideal because there are always discoveries made during the run of a show, especially with a brand new one. I was right there to update and make changes as needed. Plus it was a fantastic time!
Some backstage fun. As adults, the Mama Llamas are expected to be role models to the younger people in the show. But mishaps occur. During one show, the “pregnant” Mama Llama was trying to change out of her huge pregnancy suit in the dark, fell over and was run into by a Mama on a scooter. (Nobody was hurt.) I almost tripped over both of them on my way to get ready for the finale. We all laughed as quietly as possible. I wish I had a picture of that to share!
Here is a photo that shows why I do what I do. Come to think of it, adorable William reminds me of my brother Tom all those years ago. Ah, the circle of life!
William’s First Trip to Stages Theatre
By Nora M. Davis
It was William’s first trip to Stages Theatre. Just four years old my little neighbor has a great imagination, an inquisitive nature, and boundless energy Mom & Dad have read to him since he was born – but this time the characters would come alive. How would William react to Stages Theatre production of Llama Llama Red Pajama?
… … For the complete blog post, come back to this blog tomorrow!
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